During Milan Fashion Week, Istituto Europeo di Design (IED) presented The Process at MUBA – Rotonda di Via Besana, offering a radical perspective on young talent's role in fashion. Moving away from the traditional format of individual graduate showcases, the presentation established a collective narrative, a shared reflection on fashion as a cultural practice rather than a sequence of isolated garments.
Fashion Education as a Cultural Practice
The runway featured 60 looks from 13 distinct collections created by 14 emerging designers: Amina Aubakirova, Camilla Barazzetta, Keyra Cannas, Giulio Censori, Costanza Barbieri, Greta Ciabrelli, Mattia Ginexi, Corinne Librizzi, Nicoletta Marazia, Michelle Paglione, Alessandro Paolucci, Andrea Spinelli, Zeminghui Zhu, and Maria Zybaczynski.
Rather than displaying isolated lines, the showcase deconstructed and merged individual aesthetics, taking them apart and weaving them together fluidly, so that each vision elevated the next. Central to this shift were the "junction looks," placed between collections. These hybrid outfits combined garments by different designers, connecting creative worlds and breaking with the traditional sequence of collections that characterize standard graduate shows.
Beyond the Individual Showcase: A Shared Fashion Vision
Under the creative direction of Umberto Sannino, head of Fashion School at IED Milano, and enriched by a special mentorship session with Danielle Kwateng, a media and culture executive and currently executive managing editor of Harper’s Bazaar US, the show highlighted fashion's invisible dimension, revealing everything that comes before the final result: research, discipline, collaboration, and method. Kwateng noted, "At a time when images can be produced faster than ever, craftsmanship, tactile experience, responsible choices, and the time it takes to develop an idea matter even more. The Process gives young designers a chance to explore these values through different creative perspectives. It also speaks to a central truth of fashion: nothing happens in isolation."
By challenging the traditional graduate paradigm, IED conveyed that fashion retains the capacity to dream and to dare—demonstrating that when diverse creative visions unite, the collective outcome is far greater than the sum of its parts.



