Colors, Places, Faces is a composite and multifaceted narrative that reflects a unique mix of art, journalism and storytelling through a kaleidoscope of different visions. Curated by Giorgio Armani in collaboration with Magnum Photos, the exhibition offers an eclectic perspective as perceived by ten international photographers and their respective understanding of photography.

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Armani Silos
via Bergognone 40
20144 Milan
P : +39 02 91 63 00 10

Contact: info@armanisilos.com
www.armanisilos.com

One of the world’s most prominent living artists, Bruce Nauman (b. Fort Wayne, Indiana, 1941; lives and works in New Mexico) has contributed to writing the history of contemporary art since the mid-1960s, thanks to his pioneering research across a variety of media, including installation, video, sculpture, performance, photography, drawing, and sound. His art is distinguished by an interest in understanding the human experience and its conventions, as well as the inner workings of the psyche, which he investigates through the perception of the body, and interactions with space, time, and language. Nauman’s work also makes frequent use of wordplay, with which he explores alternative methods of communication.

Curated by Roberta Tenconi and Vicente Todolí with Andrea Lissoni, Nicholas Serota, Leontine Coelewij, Martijn van Nieuwenhuyzen and Katy Wan.

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Photo: Bruce-Nauman Deam Passage with Four Corridors, 1984 @ Agostino Osio

Pirelli HangarBicocca
via Chiese 2
20126 Milan
P : +39 02 66 11 15 73

Contact
info@hangarbicocca.org
pirellihangarbicocca.org

The exhibition entitled "Richard Avedon: Relationships" and curated by Rebecca Senf, Chief Curator of the Center for Creative Photography collectio, traces a career of Richard Avedon (1923–2004), one of the greats of 20th century photography. One hundred and six images, illustrating more than sixty years in the career of one of the greatest photographers of the 20th century.

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Palazzo Reale
piazza del Duomo 12
Milan
P : +39 02 88 44 51 81

c.mostre@comune.milano.it
www.palazzorealemilano.it

For the first time, the city of Milan, under the artistic direction of Palazzo Reale and Castello Sforzesco, pays tribute to the great Flemish genius and to his success in southern Europe, with a brand new exhibition project revolving around a fascinating thesis: Bosch is the emblem of an “alternative” Renaissance, which is far from the Renaissance governed by the myth of classicism and is evidence of the existence of a plurality of Renaissances, with its art centres scattered throughout Europe.

Jheronimus Bosch (1453 - 1516) is known worldwide for his language, made of dreamlike visions and peculiar worlds, fires, monstrous creatures, and fantastic figures.

The exhibition itinerary encompasses a hundred works of art including paintings, sculptures, tapestries, engravings, bronzes, and ancient volumes, including some 30 rare and precious objects from wunderkammerns.

The exhibition “Bosch and Another Renaissance” is curated by Bernard Aikema, previously a professor of Modern Art History at the University of Verona, Fernando Checa Cremades, professor of Art History at the Complutense University of Madrid and former director of the Prado Museum and Claudio Salsi, the director of Castello Sforzesco, the Archaeological and Historical Museums and professor of history of engraving at the Catholic University of Milan.

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Photo: Jheronymus Bosch, San Giovanni Battista, 1495, Oil on the table, Madrid, Museo Lázaro Galdiano, © Museo Lázaro Galdiano, Madrid.

Palazzo Reale
piazza del Duomo 12
20121 Milan
P : +39 02 88 44 51 81

Contact
c.mostre@comune.milano.it
www.palazzorealemilano.it

The first retrospective in Italy dedicated to Max Ernst (1891-1976) German painter, sculptor, poet and theorist of art, then naturalized American and French. Over 400 works including paintings, sculptures, drawings, collages, jewels and illustrated books from museums, foundations and private collections, in Italy and abroad.

As in a great Wunderkammer, and in analogy with the universe of Max Ernst, the exhibition and the catalogue, challenge visitors to try their hand at fascinating and intriguing games of perception between amazement and wonder, where logic and formal harmony go hand in hand to impenetrable enigmas, where works, techniques and constellations of symbols lead beyond painting.

Photo: The Angel of Hearth (1937) Oil on canvas, 114 x 146 cm Private Collection, Svizzera Classic paintings/ Alamy Stock Photo © Max Ernst by Siae 2022

Palazzo Reale
piazza del Duomo 12
20121 Milan
P : +39 02 88 44 51 81

Contact
c.mostre@comune.milano.it
www.palazzorealemilano.it

Curated by Achille Bonito Oliva and with the collaboration of Edoardo Falcioni, the exhibition Andy Warhol. La pubblicità e la forma recounts the talent of one of the most influential artists of all time with 300 works. The exhibition aims to reconstruct all the historical periods in which the artist, through his revolution, was able to innovate the history of twentieth century art, venturing into various fields such as fashion, music and entrepreneurship.

The exhibition will range from the 50s, which will consecrate him above all as a fine and highly respected designer, to the 60s, one of the artist's most prolific periods, who will become a real "social commentator", portraying icons (such as the mythical Campbell's Soup), fame (Liz Taylor and Marilyn Monroe) and disasters (from the faces of Jackie Kennedy marked for her husband's funeral to a 1970s Car Crash); from the 70s, in which he will become The society artist (great attention will be dedicated to the dualism of the sociological analysis of Warhol's work) to the 80s, in which the artist, presenting himself to the general public as the spiritual father of a new generation of artists such as Jean-Michel Basquiat and Keith Haring, will create new symbolisms, experiments and tributes to the past.

Inside the exhibition there will be original paintings, unique works, historical serigraphs, drawings, polaroids, photographs and other real memorabilia such as the original covers designed and autographed by Warhol.

Fabbrica del Vapore
via Giulio Cesare Procaccini 4
20154 Milan

Info and Contacts
reservations@navigaresrl.com
www.fabbricadelvapore.org

On the occasion of the 110th anniversary of Robert Capa’s birth (October 22nd, 1913) Mudec pays tribute to the great Hungarian photographer with a solo exhibition encompassing his major war and travel reportages. A journey through Capa’s 20-year career, which unfolded during some of the crucial moments in the history of the 20th century.

The exhibition was made possible thanks to a collaboration with the Magnum Photos agency and it brings together an exceptional body of photographs: more than 80 original prints, some of which have never been shown in an Italian exhibition before, accompanied by some documents from the Magnum’s collection dating back to the same period.

The exhibition includes seven sections and a diachronic itinerary through the most important black-and-white reportages by Robert Capa, from the beginning of his career in Berlin and Paris (1932-1936) to the Spanish Civil War (1936-1939); from the Japanese invasion of China (1938) to World War II (1941-1945); from his travel reportage in the Soviet Union (1947) to the one about the birth of Israel (1948-1950), and, finally, his last assignment as a war photographer in Indochina (1954).

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Photo: Robert Capa Moscow. Former USSR. 1947 © Robert Capa © International Center of Photography, Magnum Photos

Mudec-Museo delle Culture
via Tortona 56
20144 Milan
P : +39 02 54 917

Contact: info@mudec.it
www.mudec.it

“Recycling Beauty” is an unprecedented study dedicated entirely to the reuse of Greek and Roman antiquities in post-antique contexts, from the Middle Ages to the Baroque era. The exhibition is curated by Salvatore Settis and Anna Anguissola with Denise La Monica, designed by Rem Koolhaas/Oma.

The underlying premise of this research is the need to think of the classical not simply as a legacy of the past, but also as a vital element with the power to affect our present and future. Through an innovative interpretive approach and an experimental exhibition format, ancient heritage, in particular Greco-Roman heritage, becomes, in Settis’ words, “a key that provides access to the multiplicity of cultures in the contemporary world.”

Highlighting the importance of fragments, reuse, and interpretation, “Recycling Beauty” helps to consider the past as an unstable phenomenon in constant evolution. The exhibition presents over fifty highly representative artworks from international and Italian public collections and museums.

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Photo: Roberto Marossi, Courtesy of Fondazione Prada

Fondazione Prada
Largo Isarco 2
20139 Milan
P : +39 02 56 66 26 11

info@fondazioneprada.org
www.fondazioneprada.org

#OneLove exhibition by the artist Norma Jeane is a project curated by Katya Inozemtseva.
#OneLove is a plasticine parallelepiped that evokes the rainbow flag; inside, however, it hides a black and white intersection, as to acknowledge and celebrate the complexity of human being. It is a collective work in progress, which changes in time and space thanks to the continuous enjoyment of the public, who interacts with it by modelling and reshaping the material it is made of, throughout the duration of the installation.

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Mudec-Museo delle Culture
via Tortona 56
20144 Milan
P : +39 02 54 917

Contact: info@mudec.it
www.mudec.it

The exhibition investigates the Japanese contemporary art of the 2000s, focusing on how bodies and performances are connected to society, environment, materiality and technology. Contextualizing the poetics of the artists invited in the genealogy of the post-war Japanese avant-gardes or in the recent past, the exhibition deals with existential, political and social matters, carrying out multilayered dialogues between the works displayed.

Artists: Makoto Aida, Dumb Type, Mari Katayama, Meiro Koizumi, Yuko Mohri, Saburo Muraoka, Yoko Ono, Lieko Shiga, Chiharu Shiota, Kishio Suga, Finger Pointing Worker/Kota Takeuchi, Yui Usui, Fuyuki Yamakawa, Ami Yamasaki, Chikako Yamashiro, Atsuko Tanaka, Kazuo Shiraga.

Curated by Shihoko Iida and Diego Sileo.

Images: Chikako Yamashiro, Mud Man, 2016 in cooperation with Aichi Triennale 2016 © Chikako Yamashiro, Courtesy Yumiko Chiba Associates

PAC - Padiglione d'Arte Contemporanea
via Palestro 14
20121 Milan

Contact
info@pacmilano.it
www.pacmilano.it

Ticket office & Bookshop
P : +39 02 88 44 63 59

An outsized experience within immersive installations. Balloon Museum, Pop Air is an innovative, custom form of art in which, the artists and the visitors coexist: a journey through the wonderful world of inflatable art, capable of freeing up the imagination.
Eness, Cyril Lancelin, Penique Productions, Plastique Fantastique, Quiet Ensemble, Karina Smigla-Bobinski, Max Streicher, Geraldo Zamproni, Motorefisico and Rub Kandy, artists and international collective, are uniquely reunited to live the best-unprecedented experience possible.

Superstudiopiù
via Tortona 26
20144 Milan

Contact
P : +39 351 29 30 274
hello@balloonmuseum.world
balloonmuseum.world

Entitled "Vincent Peters, Timeless Time”, the exhibition consists of a selection of 89 black-and-white works in which light takes center stage in defining the emotions and telling the stories of the subjects portrayed.

The exhibition, promoted by Comune di Milano-Cultura, produced and organized by Palazzo Reale and Nobile Agency, is curated by Alessia Glaviano and developed in the Prince’s apartments.

Christian Bale, Kim Basinger, Monica Bellucci, Vincent Cassel, Laetitia Casta, Cindy Crawford, Penelope Cruz, Cameron Diaz, Matt Dillon, Michael Fassbender, Scarlett Johansson, Milla Jovovich, John Malkovich, Charlize Theron, and Emma Watson are just some of the celebrities whose portraits are on display at the Royal Palace. Shots taken between 2001 and 2021 by Vincent Peters who, using impeccable lighting, elevates his subjects to a position that often transcends their celebrity status.


Photo: Bethany Robbins, London 2018, ©VincentPeters

Palazzo Reale
piazza del Duomo 12
20121 Milan
P : +39 02 88 44 51 81

Contacts
c.mostre@comune.milano.it
www.palazzorealemilano.it

The exhibition's vernissage.

Fondazione Sozzani
corso Como 10
20154 Milan

General Inquiries: galleria@fondazionesozzani.org
www.fondazionesozzani.org

Press Contact: press@fondazionesozzani.org

The exhibition, titled "Mr & Mrs Clark, Ossie Clark and Celia Birtwell, Fashion and Prints 1965-74" not only presents a series of dresses with the iconic prints of Ossie and Celia, but tells the context and the path of the designer, from the Quorum boutique in Chelsea, frequented by the youth of the London scene, to the performances, through a series of videos, vintage photos and editorials, memorabilia, sketches and reproductions of the drawings, up to an exclusive video interview with Celia Birtwell herself.

The exhibition, curated by Federico Poletti, is a project by the Museo del Tessuto in Prato and the Fondazione Sozzani, in collaboration with the Massimo Cantini Parrini Archive.


Photo Credits: Jim Lee, Ossie Clark, Aeroplane, 1969 © Jim Lee

Fondazione Sozzani
corso Como 10
20154 Milan
P : +39 02 29 00 41 77

Contact: galleria@fondazionesozzani.org
fondazionesozzani.org

Press Office
P : + 39 02 76 28 04 33
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