The story, told in the present, of almost thirty years of uninterrupted artistic dialogue between Giorgio Armani and Aldo Fallai, explores the boundaries of a unique collaboration that defined the very essence of an aesthetic that has made its way into the collective imagination.

Armani Silos
via Bergognone 40
Milan
P : +39 02 91 63 00 10

General Inquiries: info@armanisilos.com
www.armanisilos.com

Press Contact: press@armanisilos.com

Fondazione Prada presents an extensive retrospective dedicated to Italian artist Pino Pascali. The project aims to examine the innovative scope of Pascali’s work, particularly his sculpture, which, over the last five decades, has had a substantial impact on several generations of artists and critics and continues to attract the growing attention of an international audience.

The exhibition, curated by Mark Godfrey, is divided into four sections, each presenting a unique perspective on Pascali’s work, and unfolds through three buildings of the Milan venue: the Podium, the Nord, and the Sud galleries. The set design, conceived by 2×4, includes forty-nine works by Pino Pascali from Italian and international museums and distinguished private collections; nine artworks by prominent post-war artists; selected photographs and a video portraying Pascali with his works.

Fondazione Prada
largo Isarco 2
20139 Milan

More info:: P : +39 02 56 66 26 11
info@fondazioneprada.org
www.fondazioneprada.org

Small is Beautiful: Art in Miniature, the first international exhibition entirely dedicated to miniature art, which brings together the works of 19 international artists and presents them to the general public. The exhibition offers exclusive access to the magical and sometimes unusual worlds of some of the greatest artists of the movement, offering us a new perspective on today's world.

The exhibition is curated by Serge Victoria. Small is Beautiful represents an incredible journey through worlds reduced to the limits of possibility, strong in a maniacal attention to detail and rich in poetry. The only real limit, in the small, is confused with the immense imagination of the authors of the works. The exhibition, established at an international level, represents a unique example of its kind and aims to introduce miniature art to the general public, but also to stimulate the birth of a community ready to share all the dimensions of art. Visitors have the opportunity to discover some of the smallest artworks in the world, measuring just a few millimeters or less, which require the use of powerful magnifying glasses to be properly observed and appreciated.

Fabbrica del Vapore
via Procaccini 4
20154 Milan

Contact: www.fabbricadelvapore.org

The retrospective dedicated to Robert Capa, curated by Gabriel Bauret, promoted by Fondazione Cassa di Risparmio di Padova e Rovigo and produced by Silvana Editoriale, retraces the stages main features of the war photographer's career, from his debut in 1932 until his death in 1954 in Indochina due to a mine explosion.

Museo Diocesano
piazza Sant’Eustorgio 3
20122 Milan

Contact: servizieducativi@museodiocesano.it
chiostrisanteustorgio.it

Obey: The Art of Shepard Fairey brings to Italy for the first time a museum exhibition entirely dedicated to Shepard Fairey (Obey), one of the most influential and internationally acclaimed street artists who with his art has shown the evolution of Street Art and its languages.

The exhibition is curated by the artist and the Wunderkammern gallery in co-production with the Fabbrica del Vapore and with the support of the Municipality of Milan.

Obey: The Art of Shepard Fairey is a visual and conceptual journey through the artist's 35-year career through a rich collection of works personally selected by him: alongside a body of work among the most representative of his artistic production, numerous unique and unpublished pieces conceived specifically for the occasion are presented.

Shepard Fairey (Charleston, 1970) is the artist behind Obey. Known for the "Hope” poster , a portrait of Barack Obama and emblem of the 2008 presidential campaign, Obey stands out for his essential and bold style with a minimalist palette guided by the cultures of hip hop and punk that taught the artist to question social convention . This is the poetics with which Fairey animates all his works, inviting the public to question themselves and take a position on current issues of great relevance.

The five sections of the exhibition are inspired by the most representative themes of Shepard Fairey's art including propaganda, peace and justice, music, environment, and new works.

Fabbrica del Vapore
via Procaccini 4
20154 Milan

Contact: www.fabbricadelvapore.org

The exhibition presents the works of the finalists of the IV Edition of the biennial international artistic and design glass competition MilanoVetro-35, aimed at young creatives who present works in which the material glass is inserted.

On May 28, on the occasion of the inauguration, the awards ceremony took place, with the awarding of the "Aldo Bellini" acquisition prize for the work Shroud to Madeline Cardone (Australia, 1996), which thus becomes part of the Collections of the Castello Sforzesco, and with the awarding of prizes in artist residencies and work material.

The competition intends to enhance the innovative use of glass material both in the artistic field and in contemporary design.

Photo: Kalina Banka

Castello Sforzesco
Piazza Castello
20121 Milan

More info:: www.milanocastello.it

After 40 years, Palazzo Reale brings Munch back to Milan with 100 of his masterpieces, in collaboration with the Munch.

On the 80th anniversary of his death, Palazzo Reale and Arthemisia in collaboration with the Munch Museum in Oslo, present a prestigious cultural event, a large monographic exhibition dedicated to one of the most loved and popular artists of the last century: Edvard Munch.

Throughout his artistic career Edvard Munch explored questions of everlasting existential significance and challenged the expressions of art. In this broad survey exhibition, Munch's art will be explored from 1880 until his death in 1944. The exhibition will comprise 100 works including paintings, drawings and prints all coming from the Munch Museum in Oslo.

An exhibition by the Municipality of Milan - Culture Area | Palazzo Reale | Arthemisia in collaboration with the Munch.

Curated by Patricia Berman.

Photo: Edvard Munch, The Girls on the Bridge, 1927. Foto: Munchmuseet / Halvor Bjørngård

Palazzo Reale
piazza del Duomo 12
20122 Milan

Contact: P : +39 02 88 44 51 81
c.mostre@comune.milano.it
www.palazzorealemilano.it

Resonance: Voices of Seoul” explores Korea’s global influence and innovation in fashion as interpreted by five leading Korean designers. Each has crafted a collection that not only reflects their individual aesthetic but also embodies the theme of Resonance, amplifying the voices of contemporary Korean fashion. The exhibition will feature exclusive pieces demonstrating the high quality of Korean craftsmanship integrated with contemporary design while upholding the values of sustainability, diversity, and community outlined in the collaboration manifesto between Seoul Fashion Week and Milano Fashion Week.

By invitation only

Exhibition Gallery Hours
Sept. 17 15:00 - 19:00 / Sept. 18 - 21 9:30 – 19:00 / Sept. 22 9:30 – 14:00
Location: Palazzo Giureconsulti - Piazza dei Mercanti, 2, Milan, Italy
K Culture Talk: September 18, 16:00

Milan

10 Corso Como presents the most comprehensive exhibition to date showcasing the work of US artist Talia Chetrit. Curated by Alessandro Rabottini and Anna Castelli, the show brings together works from 1994 to 2023, creating a dialogue between images that encapsulate different moments in both her artistic career and her private life. Self-portraits, family scenes, still lifes, street photography; no subject is excluded from Chetrit’s critical investigation into the current validity of the various genres of photography. These images instill a candid feeling of fragility and a confrontational sense of breaking taboos, with a specific focus on the themes of sexuality, relationships, and female self-representation.

Chetrit produces images that are at once elaborately conceived, lyrical, and provocative. Fusing emotional intensity with a specific approach to composition, her pictures can be understood as an exercise in what it means to look and what it feels like to pose; an exploration of the formal implications of the act of framing and the psychological dynamics of becoming the subject of an image.

For her solo exhibition at 10 Corso Como, the artist brings together works from the last twenty-nine years (1994-2023), creating a dialogue between images that encapsulate different moments in both her artistic career and her private life. Recent works appear next to photographs that Chetrit took of her childhood girlfriends when she was a teenager in the mid ’90s, such as Logo (1996/2017) and Face #1 (1994/2017). Here the subjects display a remarkable awareness of being observed and, despite their youthfulness, engage in an intentional relationship with the camera, through gestures and poses that are borrowed from fashion magazines, cinema, and TV. Another early work, Murder Picture #3 (1997/2017), depicts a friend posing as a murder victim in what it appears to be a subway car. There’s a daring yet tender quality here, expressed in the fledgling experimentation of a fifteen-year-old girl who is capable of quoting Cindy Sherman’s seminal Untitled Film Stills (1977-1980) while exploring our society’s fascination with violence and the sensational voyeurism implicit in crime-scene photography.

Familial relationships takes center stage in the exhibition, with each member of the artist’s immediate family being portrayed: her mother, in works such as Mom (Ball) from 2022 and Ash (2021), her father in Dad/Mesh (2021), and her partner and child, whom we find depicted individually, Cat Boot Baby (2021) and Back (2016), or in unconventional family portraits like Untitled (Family #2) from 2021. With a touch of abrasive irony, Chetrit deconstructs familial stereotypes, revealing underlying incongruities and idiosyncrasies, but fashion tropes once again serve as the tools that allow her to blur the distinctions between masculine and feminine, authority and protection. Although Chetrit has been behind the lens of photo campaigns for fashion brands such as Celine, Phoebe Philo, and Acne Studio, in her artistic oeuvre, fashion subtly emerges simply as one of the elements within her investigation into identity and social constructs.

Like contemporary life Talia Chetrit’s art can feel perplexing at times: it exudes honesty while implying deception, embraces feelings, and dissects contradictions. Each of these images invites us to reflect on the multifaceted nature of human relationships and the ways in which these dynamics are shaped, standardised, and perpetuated through the domains of representation.

Photo: Talia Chetrit Mom (Ball) Courtesy of the artist and Sies + Höke, Düsseldorf

10 Corso Como, Gallery
corso Como 10
20154 Milan

Press Office: press@10corsocomo.com
www.10corsocomo.com

LDR22 once again transforms into an exceptional stage where fashion, art, and design merge, creating new worlds and taking the visitor on an immersive journey into other dimensions. The exhibition project “Steel lives” is a solo show by artist David Begbie realized in collaboration with the art gallery Cris Contini Contemporary, curated by Jessica Tanghetti and coordinated by Sandra Sanson.

In “Steel lives”, ethereal forms and intricate details create new forms of life, multidimensional and in constant dynamism, sometimes of an anthropological and mystical nature, and in other cases celebrating the infinite space of the sea and the submerged.

Opening Cocktail Sept 19, 2024

Boutique Showroom Agency LDR22
via D. Manin 13
Milan

Contact: www.ldr22.mc

Vogue Italia on the occasion of its 60th anniversary presents "Sixty years of Vogue Italia - Sessant'anni di futuro" exhibition.
Private opening cocktail evening. Followed by an open to the public exhibition, Sept 19 to 21.

Palazzo Citterio
via Brera 12
Milan